Red Salt Desert / Pastel Drawing

Materials: – Canson pastel paper, Mi-Teintes, 33 % cotton, 24 x 32 cm (9,4 x 12,6 in), honey comb surface, 160 g/m² (75 lb), Rose Grey – Scotch tape Removable – Jaxell pastels in Dark Purple Pink, Purple Magenta, Light Sienna, Violet, Blue Violet, Deep Violet, Light Royal Blue, Sky Blue, Ultramarine, Light Carmine, Neon Pink, Light Lilac, Light Caput Mortuum, Dark Skintone, Terra Pozzouli, Light Skintone, Neon Red, Orange Rose, Vermilion Red, Purple, White, Light Naples Yellow, Ochre, Burnt Umber, Red Brown

 

Autumn Forest at Misty Morning / Watercolor Painting

Materials: – watercolor paper by Hahnemühle from the series Britannia, 300 g/m³ (140 lbs), 24,2 x 34,2 cm, cold pressed, natural white, matt – Bromley paper stretcher – round sponge – 5/8 flat synthetic brush (brand?) – brushes by daVinci from the series Cosmotop Spin, round, No. 12, 3; from the series NOVA, round, No. 2, 0/2; from the series Cosmotop MIX B, round, No. 20; from the series Petit Gris Pur french watercolor brush No. 4 – watercolor paints by Nevskaja Palitra from the series White Nights in Indigo, Violet, Cobalt Blue, Golden, Yellow Ochre, English Red, Red Ochre, Green, Esmerald Green, Mars Brown, Raw Sienna

 

View from Esja to Walfjord – Iceland / Oil Painting

Materials: – oil paint set compiled by artist Kevin Hill (Gamblin oil paints, Gamblin solvent-free clear gel medium, American Easel gessoed birch panel 16,4 x 30,8 cm) – 50 : 50 Galkyd and Gamsol plus Burnt Umber for underpainting – used oil paints in Prussian Blue, Titanium White, Burnt Umber, Hansa Yellow Light, Yellow Ochre, Ivory Black; always in mixture with gel medium – brand? brushes round in No. 3, 1 and flat in No.3 – brushes by Daler-Rowney from the series Graduate round No. 10/0, filbert No. 2, oval wash No. 1/2 and 3/4 – filbert brush No. 4 by Daler-Rowney – round brush No. 3/10 by daVinci – flat brush No. 2 by Artify – mop brush by SAA from MazArt collection – round brush No. 5/0 by Bomega

 

Inktober18 Day 31 / Ink Painting

Materials: – Hahnemühle watercolor paper, 24,2 x 34,3 cm, 300 g/m² (140 lbs), cold pressed, natural white, matt, from the series Britannia – Bromley paper stretcher – asian brushes (non synthetic, but natural bristles) – Super Black India Ink by Speedball – Pigma Micron fineliner No. 2 (0,3 mm) by Sakura – tape nib 1,5 mm by Manuscript – acrylic ink by Liquitex in Carbon Black, Titanium White, Iridescent Bright Gold, Iridescent Bright Silver, Iridescent Rich Bronze, Iridescent Rich Copper – foil, alcohol, tooth brush – for the smaller pieces I also used ink by Kooh-I-Noor in Brown, Green, Blue, Yellow and Red

 

Yellow Desert / Pastel Drawing

Materials: – Pastelmat by Clairefontaine, 24 x 32 cm, 360 g/m², Buttercup – Pitt Pastel Pencil by Faber-Castell in Terrakotta and Burnt Sienna – Jaxell Pastels in White, Chamois, Light Naples Yellow, Dark Skintone, Light Caput Mortuum, Light Sienna, Light Ochre, Raw Sienna, Ochre, Rec Ochre, Dark English Red, Van Dyke Brown, Red Brown – Scotch tape Removable

 

Three Swords – Stavanger, Norway / Oil Painting

Materials: – canvas panel by ProArt, 18 x 13 cm – oil paints by Nevskaya Palitra Master Class in Titanium White, Strontium Yellow, Cadmium Yellow Light, Cadmium Red Light, Mars Brown Light, Phtalocyanine Blue, Lamp Black – linceed oil by Nevskaya Palitra – flat brush No. 2 by Artify, 5/0 round brush by Bomega, flat shader No. 6 by Daler-Rowney, filbert brush No. 4 by Daler-Rowney, 1/2 oval wash (mop) by Daler-Rowney series Graduate, 10/0 Spotter by Daler-Rowney series Graduate – Bob Ross odorless paint thinner

 

The Arctic / Acrylic Painting

Materials: – acrylic paints by ProArt in Green 610, Golden Yellow 220 and Cyanine Blue 501 – acrylic paints by Reeves in Mars Black, Phthalo Blue, Sand and Naples Yellow – acrylic paint in Titanium White by Amsterdam Expert series – acrylic binder by Gerstaecker – marble powder by Gerstaecker – fine grained texture paste by Gerstaecker – coarse grained texture paste by ProArt – acrylic gel by Aquatec, glossy – spoon, painting knife – water, alcohol – used canvas by Gerstaecker, 50 x 60 cm

 

Three Poppies in Line + Wash / Watercolor Painting

Materials: – Artistico watercolor paper by Fabriano, 300 g/m² (140 lbs), 23 x 30,7 cm, hot pressed, 100 % cotton, natural white – Super Black India Ink by Speedball – dip pen by CHIPS Korea (Comic Pen) – watercolor brush by daVinci from the series NOVA synthetics round No. 6 – asian brush for inking, non synthetic, but natural bristles – wax of a candle – watercolor paints by Nevskaya Palitra from the series White Nights in Cadmium Yellow Medium, Titian Red and Green – water spray bottle

 

Christmas Holly / Graphitint Painting

Materials: – Derwent Graphitint pencils in Autumn Brown, Cool Brown, Port, Sage, Slate Green, Cocoa, Ivy, Russet, Cloud Grey, White, Chestnut, Green Grey, Meadow – paper stretcher by Bromley – Hahnemühle watercolor paper 24,1 x 34,3 cm, 300 g/m² (140 lbs), cold pressed, natural white, matt, from the series Britannia – white gouache by Schmincke – Kuretake aqua brush round – circle template – masking fluid by SAA, Artists Blue Mask with SAA small brush round – small water spray bottle

 

Cones in Line + Wash / Mixed Media Painting

Materials: – Super Black India Ink by Speedball – dip pen by Manuscript, mapping nib – paper stretcher by Bromley – Hahnemühle watercolor paper, 24,2 x 34,2 cm, 300 g/m² (140 lbs), cold pressed, natural white, matt, from the series Britannia – watercolor paints by Nevskaya Palitra from the series White Nights in Azure and Cobalt Blue – wax of a candle – water spray bottle – white gouache by Schmincke – watercolor brush by daVinci from the series NOVA synthetics round No. 6 – texture medium & iridescent medium for watercolors by Winsor & Newton